Twilight (Twilight, Book 1)
by Stephenie Meyer
from Little, Brown Young Readers
"Softly he brushed my cheek, then held my face between his marble hands. 'Be very still,' he whispered, as if I wasn't already frozen. Slowly, never moving his eyes from mine, he leaned toward me. Then abruptly, but very gently, he rested his cold cheek against the hollow at the base of my throat."
As Shakespeare knew, love burns high when thwarted by obstacles. In Twilight, an exquisite fantasy by Stephenie Meyer, readers discover a pair of lovers who are supremely star-crossed. Bella adores beautiful Edward, and he returns her love. But Edward is having a hard time controlling the blood lust she arouses in him, because--he's a vampire. At any moment, the intensity of their passion could drive him to kill her, and he agonizes over the danger. But, Bella would rather be dead than part from Edward, so she risks her life to stay near him, and the novel burns with the erotic tension of their dangerous and necessarily chaste relationship.
Meyer has achieved quite a feat by making this scenario completely human and believable. She begins with a familiar YA premise (the new kid in school), and lulls us into thinking this will be just another realistic young adult novel. Bella has come to the small town of Forks on the gloomy Olympic Peninsula to be with her father. At school, she wonders about a group of five remarkably beautiful teens, who sit together in the cafeteria but never eat. As she grows to know, and then love, Edward, she learns their secret. They are all rescued vampires, part of a family headed by saintly Carlisle, who has inspired them to renounce human prey. For Edward's sake they welcome Bella, but when a roving group of tracker vampires fixates on her, the family is drawn into a desperate pursuit to protect the fragile human in their midst. The precision and delicacy of Meyer's writing lifts this wonderful novel beyond the limitations of the horror genre to a place among the best of YA fiction. (Ages 12 and up) --Patty Campbell
10 Second Interview: A Few Words with Stephenie Meyer
Q: Were you a fan of Buffy the Vampire Slayer? Angel? What are you watching now that those shows are off the air?A: I have never seen an entire episode of Buffy or Angel. While I was writing Twilight, I let my older sister read along chapter by chapter. She's a huge Buffy fan and she kept trying to get me to watch, but I was afraid it would mess up my vision of the vampire world so I never did.
I don't have a ton of time for TV, and my kids get rowdy when I have on "mommy shows," but I do have a secret fondness for reality shows (the good ones, at least in my opinion). I always TiVo Survivor, The Amazing Race, and America's Next Top Model.
Q: What inspired you to write Twilight? Is this the beginning of a series? Why write for teens?
A: Twilight was inspired by a very vivid dream, which is fairly faithfully transcribed as chapter thirteen of the book. There are sequels on the way--I'm hard at work editing book two (tentatively titled New Moon) right now, and book three is waiting in line for its turn.
I didn't mean to write for teens--I didn't mean to write for anyone but myself, so I had an audience of one twenty-nine year old (and later one thirty-one year old when my sister started reading). I think the reason that I ended up with a book for teens is because high school is such a compelling time period--it gives you some of your worst scars and some of your most exhilarating memories. It's a fascinating place: old enough to feel truly adult, old enough to make decisions that affect the rest of your life, old enough to fall in love, yet, at the same time too young (in most cases) to be free to make a lot of those decisions without someone else's approval. There's a lot of scope for a novel in that.
Q: What is your favorite vampire story? Fave vampire movie?
A: I guess my favorite vampire story would be The Vampire Lestat, by Anne Rice, simply because it's one of the only ones I've ever read. I keep meaning to pick up Bram Stoker's Dracula, because I get asked this question so often and I should probably start with the classics, but I haven't gotten around to it yet. Again, I'm afraid to read other vampire books now, for fear of finding things either too similar, or too different from my own vampire world.
Ack! I can't even answer the movie question. I can't remember ever seeing a single vampire movie, outside of clips from Bela Lugosi movies on TV. I don't like true horror movies--my favorite scary movies are all Hitchcock's.
Q: What other young adult authors do you read?
A: My favorite young adult author is L.M. Montgomery I also enjoy J.K. Rowling (but who doesn't?), and Ann Brashares. As a teen, I skipped straight to adult books (lots of sci-fi and Jane Austen), so I'm rediscovering the world of teen literature now.
Stephenie Meyer's List of Books You Should Read
 Anne of Green Gables |  Romeo and Juliet |  Dragonflight |  To Kill a Mockingbird |  The Princess Bride |
See more recommendations from Stephenie Meyer
Q&A with Stephanie Meyer
Q: What book has had the most significant impact on your life?
A: The book with the most significant impact on my life is The Book of Mormon. The book with the most significant impact on my life as a writer is probably Speaker for the Dead, by Orson Scott Card, with Rebecca by Daphne du Maurier coming in as a close second.
Q: You are stranded on a desert island with only one book, one CD, and one DVD--what are they?
A: The CD is easy: Absolution by Muse, hands down. It's harder to give myself just one movie, but the one I watch most frequently is Sense and Sensibility--the one with the screenplay by Emma Thompson. One book is impossible. I'd have to have Pride and Prejudice, but I couldn't live without something by Orson Scott Card and a nice, thick Maeve Binchy, too.
Q: What is the worst lie you've ever told?
A: My lies are all very, very boring: "No, you really look great in hot pink!" "My children only watch one hour of TV a day." "I didn't eat the last Swiss Cake Roll--it must have been one of the kids." That's the best I've got.
Q: Describe the perfect writing environment.
A: It's late at night and the house is silent, but I'm still (miraculously) full of energy. I have my headphones in and I'm listened to a mix of Muse, Coldplay, Travis, My Chemical Romance, and The All-American Rejects. Beside me is a fabulous, and yet mysteriously low in calorie, cheesecake....
Q: If you could write your own epitaph, what would it say?
A: I'd like it to say that I really tried at the important things. I was never perfect at any of them, but I honestly tried to be a great mom, a loving wife, a good daughter, and a true friend. Under that, I'd want a list of my favorite Simpsons quotes.
Q: Who is the one person living or dead that you would like to have dinner with?
A: I'd love to have a chance to talk to Orson Scott Card--I have a million questions for him. Mostly things like, "How do you come up with this stuff?!" But, if he wasn't available, I'd settle for Matthew Bellamy (lead singer of Muse).
Q: If you could have one superpower, what would it be?
A: I'd want something offensive, rather than defensive. Like shooting fireballs from my hands. That way, you're really open to going either way--hero or villain. I like to have choices.
"Softly he brushed my cheek, then held my face between his marble hands. ''Be very still,'' he whispered, as if I wasn''t already frozen. Slowly, never moving his eyes from mine, he leaned toward me. Then abruptly, but very gently, he rested his cold cheek against the hollow at the base of my throat. As Shakespeare knew, love burns high when thwarted by obstacles. In Twilight, an exquisite fantasy by Stephenie Meyer, readers discover a pair of lovers who are supremely star-crossed. Bella adores beautiful Edward, and he returns her love .But Edward is having a hard time controlling the blood lust she arouses in him, because--he''s a vampire. At any moment, the intensity of their passion could drive him to kill her, and he agonizes over the danger. But, Bella would rather be dead than part from Edward,so she risks her life to stay near him, and the novel burns with the erotic tension of their dangerous and necessarily chaste relationship.Meyer has achieved quite a feat by making this scenario completely human and believable. She begins with a familiar YA premise (the new kid in school), and lulls us into thinking this will be just another realistic young adult novel. Bella has come to the small town of Forks on the gloomy Olympic Peninsula to be with her father. At school, she wonders about a group of five remarkably beautiful teens, who sit together in the cafeteria but never eat. As she grows to know, and then love, Edward, she learns their secret. They are all rescued vampires, part of a family headed by saintly Carlisle, who has inspired them to renounce human prey. For Edward''s sake they welcome Bella, but when a roving group of tracker vampires fixates on her, the family is drawn into a desperate pursuit to protect the fragile human in their midst.The precision and delicacy of Meyer''s writing lifts this wonderful novel beyond the limitations of the horror genre to a place among the best of YA fiction.(Ages 12 and up) --Patty Campbell 10 Second Interview: A Few Words with Stephenie Meyer Q: Were you a fan of Buffy the Vampire Slayer? Angel? What are you watching now that those shows are off the air?
A Certain Slant of Light
by Laura Whitcomb
from Graphia
In the class of the high school English teacher she has been haunting, Helen feels them: for the first time in 130 years, human eyes are looking at her. They belong to a boy, a boy who has not seemed remarkable until now. And Helen—terrified, but intrigued—is drawn to him. The fact that he is in a body and she is not presents this unlikely couple with their first challenge. But as the lovers struggle to find a way to be together, they begin to discover the secrets of their former lives and of the young people they come to possess.
Frankenstein (Dover Thrift Editions)
by Mary Shelley
from Dover Publications
Frankenstein, loved by many decades of readers and praised by such eminent literary critics as Harold Bloom, seems hardly to need a recommendation. If you haven't read it recently, though, you may not remember the sweeping force of the prose, the grotesque, surreal imagery, and the multilayered doppelgänger themes of Mary Shelley's masterpiece. As fantasy writer Jane Yolen writes of this (the reviewer's favorite) edition, "The strong black and whites of the main text [illustrations] are dark and brooding, with unremitting shadows and stark contrasts. But the central conversation with the monster--who owes nothing to the overused movie image … but is rather the novel's charnel-house composite--is where [Barry] Moser's illustrations show their greatest power ... The viewer can all but smell the powerful stench of the monster's breath as its words spill out across the page. Strong book-making for one of the world's strongest and most remarkable books." Includes an illuminating afterword by Joyce Carol Oates.
Unwind
by Neal Shusterman
from Simon & Schuster Children's Publishing
In a society where unwanted teens are salvaged for their body parts, three runaways fight the system that would "unwind" them
Connor's parents want to be rid of him because he's a troublemaker. Risa has no parents and is being unwound to cut orphanage costs. Lev's unwinding has been planned since his birth, as part of his family's strict religion. Brought together by chance, and kept together by desperation, these three unlikely companions make a harrowing cross-country journey, knowing their lives hang in the balance. If they can survive until theireighteenth birthday, they can't be harmed -- but when every piece of them, from their hands to their hearts, are wanted by a world gone mad, eighteen seems far, far away.
In Unwind, Boston Globe/Horn Book Award winner Neal Shusterman challenges readers' ideas about life -- not just where life begins, and where it ends, but what it truly means to be alive.
Blood and Chocolate
by Annette Curtis Klause
from Laurel Leaf
Characterizing the adolescent experience as monstrous is not exactly a new idea. M.T. Anderson's woefully confused teen vampire in Thirsty and Jean Thesman's reluctant young witch in The Other Ones serve as excellent examples of this metaphor set to fiction. But no one really captures how our hormones make us howl as well as Annette Curtis Klause. Blood and Chocolate chronicles the longings and passions of one Vivian Gandillon, teenage werewolf. Her pack family, recently burned out of their West Virginia home by suspicious neighbors, has resettled in a sleepy Maryland suburb. At her new school, Viv quickly falls for sensitive heartthrob Aiden, a human--or "meat-boy," as her pack calls him. Soon she is trying to tame her undomesticated desires to match his more civilized sensibilities. "He was gentle. She hadn't expected that. Kisses to her were a tight clutch, teeth, and tongue... His eyes were shy beneath his dark lashes, and his lips curved with delight and desire--desire he wouldn't force on her... he was different." But Vivian's animal ardor cannot be stilled, and she must decide if she should keep Aiden in the dark about her true nature or invite him to take a walk on her wild side.
Klause poetically describes the violence and sensuality of the pack lifestyle, creating a hot-blooded heroine who puts the most outrageous riot grrrls to shame. Blood and Chocolate is a masterpiece of adolescent angst wrapped in wolf's clothing, and its lovely, sensuous taste is sure to be sweet on the teenage tongue. (Ages 13 and older) --Jennifer Hubert
Vivian Gandillon relishes the change, the sweet, fierce ache that carries her from girl to wolf. At sixteen, she is beautiful and strong, and all the young wolves are on her tail. But Vivian still grieves for her dead father; her pack remains leaderless and in disarray, and she feels lost in the suburbs of Maryland. She longs for a normal life. But what is normal for a werewolf?
Then Vivian falls in love with a human, a meat-boy. Aiden is kind and gentle, a welcome relief from the squabbling pack. He's fascinated by magic, and Vivian longs to reveal herself to him. Surely he would understand her and delight in the wonder of her dual nature, not fear her as an ordinary human would.
Vivian's divided loyalties are strained further when a brutal murder threatens to expose the pack. Moving between two worlds, she does not seem to belong in either. What is she really--human or beast? Which tastes sweeter--blood or chocolate?
The Gold-Bug and Other Tales (Dover Thrift Editions)
by Edgar Allan Poe
from Dover Publications
What Happened to Cass McBride?
by Gail Giles
from Little, Brown Young Readers
"The setting is claustrophobic, the characters are complex and the story will keep readers on the edge of their seats," KLIATT raved of this vivid, fast-paced psychological thriller in a starred review. Kyle Kirby has planned a cruel and unusual revenge on Cass McBride, the most popular girl in school, for the death of his brother David. He digs a hole. Kidnaps Cass. Puts her in a box--underground. He buries her alive. But lying in the deepest dark, Cass finds a weapon: she uses the power of words to keep her nemesis talking--and herself breathing--during the most harrowing 48 hours of her life.
Killing Mr. Griffin
by Lois Duncan
from Laurel Leaf
High school can be tough. But with teachers like Mr. Griffin it can seem impossible.
They only planned to scare him. But sometimes even the best-laid plans go wrong.
Don't Look Behind You
by Lois Duncan
from Laurel Leaf
How can April give up her name, her friends, her boyfriend Steve, and everything she's ever known?
April Corrigan feels like her life is over when she learns that her father has been working undercover for the FBI and the family must relocate under the Federal Witness Security Program.
No one can reach them now... or can they?
Driver's Ed
by Caroline B. Cooney
from Laurel Leaf
Driver’s Ed was like so many things in school. If the parents only knew . . .
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