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Monster

"Monster" is what the prosecutor called 16-year-old Steve Harmon for his supposed role in the fatal shooting of a convenience-store owner. But was Steve really the lookout who gave the "all clear" to the murderer, or was he just in the wrong place at the wrong time? In this innovative novel by Walter Dean Myers, the reader becomes both juror and witness during the trial of Steve's life. To calm his nerves as he sits in the courtroom, aspiring filmmaker Steve chronicles the proceedings in movie script format. Interspersed throughout his screenplay are journal writings that provide insight into Steve's life before the murder and his feelings about being held in prison during the trial. "They take away your shoelaces and your belt so you can't kill yourself no matter how bad it is. I guess making you live is part of the punishment."

Myers, known for the inner-city classic Motown and Didi (first published in 1984), proves with Monster that he has kept up with both the struggles and the lingo of today's teens. Steve is an adolescent caught up in the violent circumstances of an adult world--a situation most teens can relate to on some level. Readers will no doubt be attracted to the novel's handwriting-style typeface, emphasis on dialogue, and fast-paced courtroom action. By weaving together Steve's journal entries and his script, Myers has given the first-person voice a new twist and added yet another worthy volume to his already admirable body of work. (Ages 12 and older) --Jennifer Hubert

FADE IN: INTERIOR: Early morning in CELL BLOCK D, MANHATTAN DETENTION CENTER.

Steve (Voice-Over)
Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady prosecutor called me ... Monster.

The New Way Things Work

"Is it a fact--or have I dreamt it--that, by means of electricity, the world of matter has become a great nerve, vibrating thousands of miles in a breathless point of time?" If you, like Nathaniel Hawthorne, are kept up at night wondering about how things work--from electricity to can openers--then you and your favorite kids shouldn't be a moment longer without David Macaulay's The New Way Things Work. The award-winning author-illustrator--a former architect and junior high school teacher--is perfectly poised to be the Great Explainer of the whirrings and whizzings of the world of machines, a talent that landed the 1988 version of The Way Things Work on the New York Times bestsellers list for 50 weeks. Grouping machines together by the principles that govern their actions rather than by their uses, Macaulay helps us understand in a heavily visual, humorous, unerringly precise way what gadgets such as a toilet, a carburetor, and a fire extinguisher have in common.

The New Way Things Work boasts a richly illustrated 80-page section that wrenches us all (including the curious, bumbling wooly mammoth who ambles along with the reader) into the digital age of modems, digital cameras, compact disks, bits, and bytes. Readers can glory in gears in "The Mechanics of Movement," investigate flying in "Harnessing the Elements," demystify the sound of music in "Working with Waves," marvel at magnetism in "Electricity & Automation," and examine e-mail in "The Digital Domain." An illustrated survey of significant inventions closes the book, along with a glossary of technical terms, and an index. What possible link could there be between zippers and plows, dentist drills and windmills? Parking meters and meat grinders, jumbo jets and jackhammers, remote control and rockets, electric guitars and egg beaters? Macaulay demystifies them all. (Click to see a sample spread of this book, illustrations and text copyright 1998 David Macaulay, Neil Ardley, published by Houghton Mifflin Co.) (All ages) --Karin Snelson

The information age is upon us, baffling us with thousands of complicated state-of-the-art technologies. To help make sense of the computer age, David Macaulay brings us The New Way Things Work. This completely updated and expanded edition describes twelve new machines and includes more than seventy new pages detailing the latest innovations. With an entirely new section that guides us through the complicated world of digital machinery, where masses of electronic information can be squeezed onto a single tiny microchip, this revised edition embraces all of the newest developments, from cars to watches. Each scientific principle is brilliantly explained--with the help of a charming, if rather slow-witted, woolly mammoth.

Sunshine

There hadn't been any trouble out at the lake for years, and Sunshine just needed a spot where she could be alone with her thoughts. Vampires never entered her mind. Until they found her.

Fallen Angels

A coming of age tale for young adults set in the trenches of the Vietnam War in the late 1960s, Fallen Angels is the story of Perry, a Harlem teenager who volunteers for the service when his dream of attending college falls through. Sent to the front lines, Perry and his platoon come face-to-face with the Vietcong and the real horror of warfare. But violence and death aren't the only hardships. As Perry struggles to find virtue in himself and his comrades, he questions why black troops are given the most dangerous assignments, and why the U.S. is there at all. Fallen Angels won the 1989 Coretta Scott King Award.

A coming-of-age tale for young adults set in the trenches of the Vietnam War in the late 1960s, this is the story of Perry, a Harlem teenager who volunteers for the service when his dream of attending college falls through. Sent to the front lines, Perry and his platoon come face-to-face with the Vietcong and the real horror of warfare. But violence and death aren't the only hardships. As Perry struggles to find virtue in himself and his comrades, he questions why black troops are given the most dangerous assignments, and why the U.S. is even there at all.

Chalice

As the newly appointed Chalice, Mirasol is the most important member of the MasterÂ’s Circle. It is her duty to bind the Circle, the land and its people together with their new Master. But the new Master of Willowlands is a Priest of Fire, only drawn back into the human world by the sudden death of his brother. No one knows if it is even possible for him to live amongst his people. Mirasol wants the Master to have his chance, but her only training is as a beekeeper. How can she help settle their demesne during these troubled times and bind it to a Priest of Fire, the touch of whose hand can burn human flesh to the bone?

Robin McKinley weaves a captivating tale that reveals the healing power of duty and honor, love and honey.

Beauty: A Retelling of the Story of Beauty and the Beast

This much-loved retelling of the classic French tale Beauty and the Beast elicits the familiar magical charm, but is more believable and complex than the traditional story. In this version, Beauty is not as beautiful as her older sisters, who are both lovely and kind. Here, in fact, Beauty has no confidence in her appearance but takes pride in her own intelligence, her love of learning and books, and her talent in riding. She is the most competent of the three sisters, which proves essential when they are forced to retire to the country because of their father's financial ruin.

The plot follows that of the renowned legend: Beauty selflessly agrees to inhabit the Beast's castle to spare her father's life. Beauty's gradual acceptance of the Beast and the couple's deepening trust and affection are amplified in novel form. Robin McKinley's writing has the flavor of another century, and Beauty heightens the authenticity as a reliable and competent narrator.

This was McKinley's first book, written almost 20 years ago. Since that time she has been awarded the Newbery Medal for The Hero and the Crown and has delighted her fans with another retelling of the Beauty and the Beast fable, Rose Daughter. Still, McKinley's first novel has a special place in the hearts of her devoted readers, many of whom attest to relishing Beauty time and again. (Ages 11 to Adult)

A strange imprisonment

Beauty has never liked her nickname. She is thin and awkward; it is her two sisters who are the beautiful ones. But what she lacks in looks, she can perhaps make up for in courage.

When her father comes home with the tale of an enchanted castle in the forest and the terrible promise he had to make to the Beast who lives there, Beauty knows she must go to the castle, a prisoner of her own free will. Her father protests that he will not let her go, but she answers, "Cannot a Beast be tamed?"

Robin McKinley's beloved telling illuminates the unusual love story of a most unlikely couple: Beauty and the Beast.

Castle

Imagine yourself in 13th-century England. King Edward I has just named the fictitious Kevin le Strange to be the Lord of Aberwyvern--"a rich but rebellious area of Northwest Wales." Lord Kevin's first task is to oversee the construction of a strategically placed castle and town in order to assure that England can "dominate the Welsh once and for all." And a story is born! In the Caldecott Honor Book Castle, David Macaulay--author, illustrator, former architect and teacher--sets his sights on the creation and destiny of Lord Kevin's magnificent castle perched on a bluff overlooking the sea. Brick by brick, tool by tool, worker by worker, we witness the methodical construction of a castle through exquisitely detailed pen-and-ink illustrations. Children who love to know how things work especially appreciate Macaulay's passion for process and engineering. Moats, arrow loops, plumbing, dungeons, and weaponry are all explained in satisfying detail. This talented author also has a keen sense of irony and tragedy, which is played out in the intricacies of the human story: a castle can be built as a fortress, but ultimately it becomes obsolete when humans discover that cooperation works best. (Ages 9 and older) --Gail Hudson

The word itself conjures up mystery, romance, intrigue, and grandeur. What could be more perfect for an author/illustrator who has continually stripped away the mystique of architectural structures that have long fascinated modern man? With typical zest and wry sense of humor punctuating his drawings, David Macaulay traces the step-by-step planning and construction of both castle and town.

City: A Story of Roman Planning and Construction

Text and black and white illustrations show how the Romans planned and constructed their cities for the people who lived within them.

Pyramid

When children catch their first glimpse of a pyramid, a sea of questions inevitably tumbles forth. "Why are they shaped like that?" "How were they made?" "Who made them?" "What were they used for?" Perplexed adults can sigh with relief now that David Macaulay has found a way to thoroughly answer all those deserving questions. His exquisitely crosshatched pen-and-ink illustrations frame the engaging fictional story of an ancient pharaoh who commissions a pyramid to be built for him. With great patience and respect for minute detail (not unlike the creators of the early pyramids), Macaulay explains the sometimes backbreaking tasks of planning, hauling, chiseling, digging, and hoisting that went into the construction of this awe-inspiring monument. Just when the narrative teeters on the edge of textbook doldrums, Macaulay brings us back to the engaging human drama of death and superstition. This respectful blending of architecture, history, and mysticism will certainly satiate pyramid-passionate children as well as their obliging parents. ALA Notable Book. (Ages 9 and older) --Gail Hudson

Through concise text and richly detailed black and white illustrations we come to know the philosophy of life and death in ancient Egypt.

Slam!

Seventeen-year-old Greg "Slam" Harris can do it all on the basketball court. He's seen ballplayers come and go, and he knows he could be one of the lucky ones. Maybe he'll make it to the top. Or maybe he'll stumble along the way. Slam's grades aren't that hot. And when his teachers jam his troubles in his face, he blows up.

Slam never doubted himself on the court until he found himself going one-on-one with his own future, and he didn't have the ball.