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A Separate Peace

Set at a boys' boarding school in New England during the early years of World War II, A Separate Peace is a harrowing and luminous parable of the dark side of adolescence. Gene is a lonely, introverted intellectual. Phineas is a handsome, taunting, daredevil athlete. What happens between the two friends one summer, like the war itself, banishes the innocence of these boys and their world.

A bestseller for more than thirty years, A Separate Peace is John Knowles's crowning achievement and an undisputed American classic.

From the Mixed-Up Files of Mrs. Basil E. Frankweiler

All readers hope for in a book. Humor, suspense, intrigue and their problems acknowledged seriously, but not somberly.

After reading this book, I guarantee that you will never visit the Metropolitan Museum of Art (or any wonderful, old cavern of a museum) without sneaking into the bathrooms to look for Claudia and her brother Jamie. They're standing on the toilets, still, hiding until the museum closes and their adventure begins. Such is the impact of timeless novels . . . they never leave us. E. L. Konigsburg won the 1967 Newbery Medal for this tale of how Claudia and her brother run away to the museum in order to teach their parents a lesson. Little do they know that mystery awaits!

The View from Saturday

A powerhouse sixth-grade Academic Bowl team from Epiphany Middle School; the art of calligraphy; the retirees of Century Village, Florida; a genius dog named Ginger; and a holiday production of "Annie" all figure heavily in the latest book by E. L. Konigsburg, who has produced a Newbery Medal-winning children's tale to rival her classic From the Mixed-Up Files of Mrs. Basil E. Frankweiler, which won the Newbery Medal almost 30 years ago. The new book centers around a group of four brilliant, shy 12-year-olds and the tea party they have each Saturday morning. Konigsburg's wacky erudition and her knack for offbeat characters make this a funny and endearing story of friendship.

Meet the Souls

•Noah, who quite by accident was best man at the wedding of Ethan's grandmother and Nadia's grandfather

•Nadia, a hybrid with a halo of red hair, a dog that's a genius, and a fondness for baby turtles

•Ethan, the silent second son of one of Epiphany's oldest families, who discovers he likes halos

•Julian, the strangest person on the school bus, who starts everything by inviting the others to a tea party

How did Mrs. Olinski, returning to teaching ten years after being paralyzed in an automobile accident, choose these four to be her sixth-grade Academic Bowl team? And how did this unlikely foursome become even unlikelier champions, in far more than just the state middle school competition? The View From Saturday is a rich and rewarding journey that answers these questions and raises many more.

Blood and Chocolate

Characterizing the adolescent experience as monstrous is not exactly a new idea. M.T. Anderson's woefully confused teen vampire in Thirsty and Jean Thesman's reluctant young witch in The Other Ones serve as excellent examples of this metaphor set to fiction. But no one really captures how our hormones make us howl as well as Annette Curtis Klause. Blood and Chocolate chronicles the longings and passions of one Vivian Gandillon, teenage werewolf. Her pack family, recently burned out of their West Virginia home by suspicious neighbors, has resettled in a sleepy Maryland suburb. At her new school, Viv quickly falls for sensitive heartthrob Aiden, a human--or "meat-boy," as her pack calls him. Soon she is trying to tame her undomesticated desires to match his more civilized sensibilities. "He was gentle. She hadn't expected that. Kisses to her were a tight clutch, teeth, and tongue... His eyes were shy beneath his dark lashes, and his lips curved with delight and desire--desire he wouldn't force on her... he was different." But Vivian's animal ardor cannot be stilled, and she must decide if she should keep Aiden in the dark about her true nature or invite him to take a walk on her wild side.

Klause poetically describes the violence and sensuality of the pack lifestyle, creating a hot-blooded heroine who puts the most outrageous riot grrrls to shame. Blood and Chocolate is a masterpiece of adolescent angst wrapped in wolf's clothing, and its lovely, sensuous taste is sure to be sweet on the teenage tongue. (Ages 13 and older) --Jennifer Hubert

Vivian Gandillon relishes the change, the sweet, fierce ache that carries her from girl to wolf. At sixteen, she is beautiful and strong, and all the young wolves are on her tail. But Vivian still grieves for her dead father; her pack remains leaderless and in disarray, and she feels lost in the suburbs of Maryland. She longs for a normal life. But what is normal for a werewolf?

Then Vivian falls in love with a human, a meat-boy. Aiden is kind and gentle, a welcome relief from the squabbling pack. He's fascinated by magic, and Vivian longs to reveal herself to him. Surely he would understand her and delight in the wonder of her dual nature, not fear her as an ordinary human would.

Vivian's divided loyalties are strained further when a brutal murder threatens to expose the pack. Moving between two worlds, she does not seem to belong in either. What is she really--human or beast? Which tastes sweeter--blood or chocolate?

The Silver Kiss

Zoe is wary when, in the dead of night, the beautiful yet frightening Simon comes to her house.  Simon seems to understand the pain of loneliness and death and Zoe's brooding thoughts of her dying mother.



Simon is one of the undead, a vampire, seeking revenge for the gruesome death of his mother three hundred years before.  Does Simon dare ask Zoe to help free him from this lifeless chase and its insufferable loneliness?

Silent to the Bone

What happened on Wednesday, November 25, 2:43 P.M., Eastern Standard Time, to cause Branwell Zamborska to become mute? All anyone knows is that he called 911 because his baby sister, Nikki, had stopped breathing, and when he was unable to speak to the operator, Vivian, the English au pair, came on the line to say that Branwell had dropped the baby and shaken her. His best friend, Connor, begins visiting him at the juvenile behavioral center, where he has been sent while Nikki remains in a coma at the hospital. Working out a code they both can use, Connor begins the long process of trying to communicate with his friend to find out what really happened. With the help of his own half-sister and some canny detective work, Connor uncovers a complex, multilayered tale of human desires, adolescent confusion, and a touch of menace.

E.L. Konigsburg, brilliant Newbery Medal-winning author of From the Mixed-Up Files of Mrs. Basil E. Frankweiler and The View from Saturday, has honed her skills to a fine point. Her keen understanding of young people is matched by her ability to create suspenseful, page-turning masterpieces. This beautifully written story is darker than some of her others, with a remarkably true glimpse into a young man's inner world. (Ages 10 to 14) --Emilie Coulter

Connor is sure his best friend, Branwell, couldn't have hurt Branwell's baby half sister, Nikki. But Nikki lies in a coma, and Branwell is in a juvenile behavioral center, suspected of a horrible crime and unable to utter the words to tell what really happened.

Connor is the only one who might be able to break through Branwell's wall of silence. But how can he prove Branwell didn't commit the unspeakable act of which he's accused -- when Branwell can't speak for himself?

You Don't Know Me

You think you know John? Well, let's see . . . What bathroom fixture did his father have in mind at his birth? Does algebra have a use, besides torture? Who is Glory Halle-lujah? Who is Violent Hayes? What do they want? Who or what are the Lashasa Palulu? Why do fools fall in love? How can anyone who is fighting a secret battle for his life know anyone? And how can they know him?

Fourteen-year-old John creates alternative realities in his mind as he tries to deal with his mother's abusive boyfriend, his crush on a beautiful, but shallow classmate, and other problems at school.

The Secret Garden (Aladdin Classics)

Mistress Mary is quite contrary until she helps her garden grow. Along the way, she manages to cure her sickly cousin Colin, who is every bit as imperious as she. These two are sullen little peas in a pod, closed up in a gloomy old manor on the Yorkshire moors of England, until a locked-up garden captures their imaginations and puts the blush of a wild rose in their cheeks; "It was the sweetest, most mysterious-looking place any one could imagine. The high walls which shut it in were covered with the leafless stems of roses which were so thick, that they matted together.... 'No wonder it is still,' Mary whispered. 'I am the first person who has spoken here for ten years.'" As new life sprouts from the earth, Mary and Colin's sour natures begin to sweeten. For anyone who has ever felt afraid to live and love, The Secret Garden's portrayal of reawakening spirits will thrill and rejuvenate. Frances Hodgson Burnett creates characters so strong and distinct, young readers continue to identify with them even 85 years after they were conceived. (Ages 9 to 12)

One of the most beloved children's books of all time and the inspiration for a feature film, a television miniseries, and a Broadway musical, The Secret Garden is the best-known work of Frances Hodgson Burnett. In this unforgettable story, three children find healing and friendship in a magical forgotten garden on the haunting Yorkshire moors.

California Blue

The Outcasts of 19 Schuyler Place

Twelve year old Margaret Rose Kane is incorrigible. Not only does she refuse to bend to the will of her manipulative cabin mates at Camp Talequa, she stands up to and inadvertently insults the camp director and Queen-in-residence, Mrs. Kaplan. The intimidating and cruel confrontations that threaten to break Margaret's spririt only serve to strengthen her resolve, and everyone is happy when Margaret is finally banished/rescued from Camp Talequa. Luckily for her, with her parents in Peru, this means she can spend the rest of the summer with her delightfully eccentric Hungarian great-uncles, Alexander and Morris Rose. Margaret adores her great-uncles, and loves the house at 19 Schuyler Place--especially the three peculiar clock towers (tall painted structures covered in pendants made from broken china, crystal, bottles, jars, and clock parts) that the Rose brothers have been building for as long as she can remember. For Margaret and the Rose brothers, the towers represent beauty for beauty's sake--they sparkle in the sun and sing in the wind--they exist only to spread joy. Not everyone loves the towers however, and forty-five years after the birth of the project, the city council declares the towers "unsafe," and demands that they be dismantled and destroyed. Filled with the same fiery resolve that helped her survive Camp Talequa, Margaret (with the help of a handyman named Jake, a loyal dog named Tartufo, and few other unexpected allies) launches a plan to save the towers in the name of art, history, and beauty.

A companion novel to the award-winning author's acclaimed Silent to the Bone, Outcasts is strikingly unique, incredibly interesting, and, with references to "Bartleby the Scrivener", and the rose windows of Notre Dame, exceptionally literary. In other words, The Outcasts of 19 Schuyler Place is vintage Konigsburg. This quirky masterpiece will be enjoyed by young fans of Konigsburg's other erudite works, and Polly Horvath's The Canning Season.. (Ages 10 and older)

I Prefer Not To....

That's Margaret Rose Kane's response to every activity she's asked to participate in at the summer camp to which she's been exiled while her parents are in Peru. So Margaret Rose is delighted when her beloved uncles rescue her from Camp Talequa, with its uptight camp director and cruel cabinmates, and bring her to stay with them at their wonderful house at 19 Schuyler Place.

But Margaret Rose soon discovers that something is terribly wrong at 19 Schuyler Place. People in their newly gentrified neighborhood want to get rid of the three magnificent towers the uncles have spent forty-five years lovingly constructing of scrap metal and shards of glass and porcelain. Margaret Rose is outraged, and determined to strike a blow for art, for history, and for individuality...and no one is more surprised than Margaret Rose at the allies she finds for her mission.